Published: 2015-02-11

Editorial

https://doi.org/10.15332/s0120-8454.2011.0078.01
Édgar Arturo Ramírez Barreto, Cesar Augusto Vásquez García
11-22
DOI: https://doi.org/10.15332/s0120-8454.2011.0078.01

Arts and Humanities in the Age of Globalization

https://doi.org/10.15332/s0120-8454.2011.0078.02
Édgar Arturo Ramírez Barreto
47-60
DOI: https://doi.org/10.15332/s0120-8454.2011.0078.02

Models

https://doi.org/10.15332/s0120-8454.2011.0078.03
Luis Argudín
61-85
DOI: https://doi.org/10.15332/s0120-8454.2011.0078.03

Urban Literature in Colombia. Keys to Understanding the Cultural Transformations in the Country

https://doi.org/10.15332/s0120-8454.2011.0078.04
Carlos-Germán Van der Linde
87-109
DOI: https://doi.org/10.15332/s0120-8454.2011.0078.04

The Foreigner, a Failed Meeting between Camus and Visconti

https://doi.org/10.15332/s0120-8454.2011.0078.05
Carlos María Ramírez Aíssa
111-129
DOI: https://doi.org/10.15332/s0120-8454.2011.0078.05

The Formal Ontology of Art

https://doi.org/10.15332/s0120-8454.2011.0078.06
Luis Álvarez Falcón
131-167
DOI: https://doi.org/10.15332/s0120-8454.2011.0078.06

The Problem of Saying Something is a Work of Art

https://doi.org/10.15332/s0120-8454.2011.0078.07
Adryan Fabrizio Pineda Repizzo
169-194
DOI: https://doi.org/10.15332/s0120-8454.2011.0078.07

The Philosophie of republican Sade. A source of inspiration for Totalitarianism?

https://doi.org/10.15332/s0120-8454.2011.0078.08
Claudine Etavard
195-216
DOI: https://doi.org/10.15332/s0120-8454.2011.0078.08

Towards an Aesthetics of New Technologies as an Educational Project

https://doi.org/10.15332/s0120-8454.2011.0078.09
Juan Sebastián López López
217-236
DOI: https://doi.org/10.15332/s0120-8454.2011.0078.09

Actually, art and knowledge. Aesthetic drift after contemporary thought

https://doi.org/10.15332/s0120-8454.2011.0078.10
Juan Sebastián Ballén Rodríguez
237-243
DOI: https://doi.org/10.15332/s0120-8454.2011.0078.10