Every day more and more, there is a greater consensus having to do with the idea of a substantial transformation with regard to the concept of what is human, in which tradition mixes with emerging forms. In this context, the Social Sciences, the Arts and the Humanities have witnessed the rise of epistemological and disciplinary transformations that has cut across all borders and has led to the rise of multi, inter and trans-disciplinary filds. The design of research and study networks, the integration of TIC in academic and production of knowledge processes with sciences that up to now have been very far removed, undoubtedly contribute to the revitalization of new categories focused on becoming aware of what is human, on plural societies and on the aesthetics – creativity ratio as a background for several local and global cosmogonies. To think therefore of the Social Sciences, the Arts and the Humanities as the terrain of the “inter”, means to propose new forms of academic ordering, new narratives regarding knowledge and particularly: new forms of association to generate scenarios for the production of knowledge.