MARIA CANO: LA ENDEBLEZ DE UN SÍMBOLO
Abstract (en)
Se aborda el estudio del film a partir del concepto de género cinematográfico, después la forma narrativa, la puesta en escena y el plano, interrelacionando los tres aspectos, para intentar a través del cómo capturar el qué o significado fílmico, y comentar la imagen depresiva ofrecida por la directora de una congénere que simboliza el modo diferente de ser mujer en la historia de Colombia.
How to Cite
License
Authors retain the rights to their articles and are therefore free to share, copy, distribute, perform, and publicly communicate their work under the following conditions:
- Appropriate credit must be given to the work in the manner specified by the author or licensor, provided that such attribution does not suggest endorsement by the author or licensor of the user or of the way the work is used.
Cuadernos de Filosofía Latinoamericana is published under the Creative Commons Attribution–NonCommercial–ShareAlike 4.0 International License (CC BY-NC-SA 4.0).
Universidad Santo Tomás retains the economic rights (copyright) to all published works and encourages and permits their reuse in accordance with the terms of the above-mentioned license.




